A Swedish Musical OfferingEinbandart: BuchFormat: 310x251x22 mmISBN-13: 9783941532120Isbn-10: 394153212XVerlag: PPV Medien GmbhAuthor: John Huber Veroeffentlichungsdatum: 2012Sprache: Englisch, Schwedisch
En gåva till musiken - en svensk erfarenhet Von John Huber 156 Seiten. Text englisch. Gebunden. 31 cm. How important to an art form is the taste of the patrons who commission the artists? What is the incentive for a patron's investment, ...profit, prestige, participation... or, is understanding and loving art enough to contribute to its preservation? Ingrid and Per Welin share their wealth, experience, and their love of music with the Swedish youth who will carry our cultural heritage for another generation. Their success gives us new music and musicians, but also offers hope during difficult times. Hier finden Sie mehr zu folgenden Themen: Musik Schweden
A Swedish Musical Offering: John Huber
Erscheinungsdatum: 06/2011Medium: DVDTitel: Der NussknackerAutor: Tschaikowsky, Peter IljitschSolist: Royal Swedish BalletVerlag: Naxos Deutschland GmbHSprache: DeutschSchlagworte: Ballett // Video // Tanz // Musical // OperRubrik: Theater // Ball
The daughter of a Swedish minister growing up in Colorado, Thea Kronborg´s musical talent sets her apart from her contemporaries. Driven by her determination to satisfy her artistic impulse, she moves to Chicago, where she falls in love with a wealthy married man. The novel follows Thea´s growth from provincial Midwesterner to acclaimed international opera singer. Her ability to resolve the tensions between her personal and professional lives and to communicate through her art makes her an unusual and thoroughly modern heroine. 1. Language: English. Narrator: Pam Ward, Ken Burns (introduction). Audio sample: http://samples.audible.de/bk/tant/001687/bk_tant_001687_sample.mp3. Digital audiobook in aax.
Instrument : violin and celloNombre de Pages : 4When Ligeti taught composition at the University of Stockholm in the 1960s, he met his famous Swedish fellow composer Hilding Rosenberg (1892-1985). Ligeti wrote this musical greeting on the occasion of Rosenberg´s 90th birthday.The little piece is easy to play, composed in an extremely instrument-related manner and sounds really good. It shows that Ligeti, like Bach, Schumann and Bartók, was able to write easily playable and at the same time tonally convincing music in his personal style. Whether at an audition in a music school class or (as an encore) at a concert, it is impossible to resist the immediate charm of this composition.
DescriptionA great selection of hit songs from the legendary Swedish group arranged for easy piano. The Joy Of... series is a constantly growing collection of musical editions that is now recognised and loved throughout the world. Students and teachers alike have welcomed these books for their imaginative choice of material, consistent settings and accessible, large-format style. SonglistAngeleyesChiquititaDancing QueenDoes Your Mother KnowFernandoGimme! Gimme! Gimme! (A Man After Midnight)Head Over HeelsI Do, I Do, I Do, I Do, I DoKnowing Me, Knowing YouMamma MiaMoney, Money, MoneyOne Of UsRing, RingS.O.S.Super TrouperTake A Chance On MeThank You For The MusicThe Winner Takes It AllVoulez-vousWaterloo
More than 25 pieces for oboe and pianoInstrument : oboe and pianoNombre de Pages : 52Tired of the same old arrangements? Want to give your pupils something simple yet rewarding to play? Carol Barratt creates easy pieces that are creative, idiomatic, simple yet rewarding to play and that will really get pupils listening and performing musically, right from the beginning. The pieces in Bravo! Oboe take the student progressively through the early grades. They consist mainly of original material, with a few arrangements too - some well-known, some more unusual. These pieces are intended to encourage the student to perform - rather than merely play - whenever the opportunity arises. All too often, the early stages of learning instrument can be a solitary process. Wherever possible, these pieces should be played with their keyboard accompaniments. Hearing the keyboard parts will lead to an awareness and appreciation of different musical styles and a sense of harmony, not just melody. In addition, playing with an accompaniment develops the pupil´s ability to maintain his or her own part while listening to another. And of course, it´s fun! Each collection is scrupulously edited for the instrument by a leading performer. The edition is part of the ABRSM syllabus (grade 1,2)Content : Bed-Rock Blues - Brava Bossa Nova! - English Jig (anon.) - Fais Dodo (French trad.) - Forking Out! - Hampton Swing - Harvest Time (Latvian trad.) - In Our Village (Hungarian trad.) - Jalapeno - Midsummer Fire (Swedish trad.) - Modal Lament - Moderato (Schmitt) - Morning Song (French trad.) - On the Wing (French-Canadian trad.) - Out-of-Step March - Polka (Kabalevsky) - Rise and Shine! (Czerny) - Round Dance - Russian Dance (Kabalevsky) - Shortcake-Walk - Sowing Marjoram (Hungarian trad.) - Take a Breather - The Black Tube! - The Duke of Gloucester´s March (Clarke) - The Night Visiting Song (Scottish trad.) - Thingumabob - Three Variations on Cat in the Snow - Torry Burn (Scottish trad.) - Wimbledon Waltz
Metallica-the seventh-biggest recording act in American history-are consummate musicians, but it wasn´t always that way. Their early career is marked by a gradual evolution from garage-level thrash to sophisticated, progressive heights-an evolution driven by their bass player, Cliff Burton. Burton pushed the band to new heights with his musical training, songwriting ability, and phenomenal bass skills across three albums: Kill ´Em All (1983), Ride The Lightning (1985) and Metallica´s undisputed masterpiece, Master Of Puppets (1986). He was the first heavy metal bassist since Black Sabbath´s Geezer Butler to regard the bass as a lead instrument, delivering intricate live solos based on classical fugues and even laying down a solo track on Metallica´s debut album. Cliff´s life was short but influential; his death was sudden and shocking. At the age of just 24, he was killed when Metallica´s tour bus overturned on a remote Swedish mountain road in the early hours of September 27 1986, crushed to death after being thrown from his bunk through a window. The driver, who has never been identified, told the rest of the band that the bus had hit black ice, leading to the accident; singer James Hetfield refused to believe him and has often spoken publicly about his doubts. With Cliff´s death, Metallica´s most critically acclaimed period of activity ended. They went on to record huge-selling albums, but by their own admission never pushed the creative envelope as radically as they had done in the first four years of their career. In 2006, a group of dedicated Metallica fans unveiled a memorial to Cliff at the site of his death; the cult of Burton grows year on year, with bassists of many musical styles (even outside heavy metal) acknowledging his influence. This revised and updated edition, published to mark the 30th anniversary of Burton´s sad passing, adds a new appreciation of Cliff´s influence on a new generation of rock and metal bass players, with commentary from the cream of the modern bass scene, plus a look at his signature bass gear and Metallica´s current activities, which reference the Burton era more profoundly than ever before.