Angebote zu "Leipzig" (19 Treffer)

Van De Velde Mollard Michel - Le Voyage A Leipzig
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De fugue en fugue, à la découverte du Clavier bien tempéréde Jean-Sébastien Bach.Sous la forme d´un plaisant scenario de vingt-quatre courts épisodes, l´auteur donne les clés d´une lecture et d´une écoute éclairées du Clavier bien tempéré de Jean-Sébastien Bach à travers un choix de 14 fugues appartenant aux deux Livres.Les propos échangés entre deux jeunes gens avides de décrypter cette oeuvre monumentale et un Maître contemporain de Bach conduisent le lecteur à la découverte des principes de base d´une écriture dont les aspects contrapuntiques et harmoniques ont façonné les fondements de la musique occidentale.S´adressant à tout mélomane en quête d´un cheminement musical personnel et à tout étudiant musicien désireux de construire son savoir sur la connaissance des procédés compositionnels, cet ouvrage guide les premiers pas d´une initiation à l´analyse.A la fois support d´écoute et de mise en oeuvre au clavier grâce au recueil de partitions* annexé, le texte permet d´éclairer nombre de notions telles que sujet, contre-sujet, strette, inversus...En même temps, Le Voyage à Leipzig révèle le contenu sensible d´un langage musical et fait partager, par la voix des protagonistes mis en scène, tout l´attachement de l´auteur à l´oeuvre de Jean-Sébastien Bach.* Gravées selon le principe : 1 voix = 1 portéePréface : Zhu Xiao-MeiPrésentation des textes musicaux : Marcel BitschNombre de pages : 120 + 48Date de parution : 04/02/2011

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Stand: Nov 23, 2018
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Dover Grieg Edvard - Norwegian Dances And Other...
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Eighty-four masterful short compositions for piano that are among Grieg´s most admired and frequently performed musical works, including the well-known Norwegian Dances, Op. 35, Pictures from Country Life, Op. 19, and the Ballade in G Minor, Op. 24. Reprinted from authoritative editions published by C. F. Peters, Leipzig.Reprint of the C. F. Peters, Leipzig, editions.

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Stand: Nov 23, 2018
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Dover Schubert Franz - Complete Chamber Music F...
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Reproduced directly from the famous Breitkopf and Härtel series, this volume includes the famous Trout quintet (1819), the Quartet in F Major (1816), and three delightful trios for pianoforte, violin, and cello.Noteheads are reproduced in a size large enough to be read easily while you play, and ample space between staves and in the margins allows room for any notes, harmonic analyses, fingerings, or annotations that you may wish to record. This edition is practical for almost any use, whether as a study guide, a reference, or as a companion for your greater musical enjoyment.Reprint of Pianoforte-Quintett, Quartett und Trios, Breitkopf & Härtel, Leipzig, 1886.

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Stand: Dec 13, 2018
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Schott Gade N.w. - Fantasy Pieces Op.43 - Clari...
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Editor: Mauz, RudolfNiels Wilhelm Gade (1817-1890) left to the musical world an extensive oeuvre of orchestral and chamber music works, works for organ and piano, lieder and chants as well as incidental music. His versatility as an instrumentalist, composer, conductor and director of the conservatoire made him the most important figure in the Danish musical scene of his time. ´Fantasiestücke´ (Fantasiestykker) Op. 43 is among the most frequently played original works for clarinet and piano. The present edition is based on the autograph (1864) from the Royal Library of Copenhagen and on the first edition (1865) by Kistner in Leipzig. Gade´s compositions stand out due to his great mastery in instrumentation. The same applies to these four melodically and harmonically original ´Fantasiestücke´. The clarinet is treated like an instrument that can contribute a wide range of expressive means.

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Stand: Nov 23, 2018
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Dover Wagner Richard - Tristan Und Isolde - Voc...
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Opera´s greatest love story, set to music of incomparable beauty, Tristan und Isolde represents one of the nineteenth century´s most revolutionary scores. Wagner´s 1865 adaptation of a popular medieval legend changed the course of musical history and opened the door to twentieth-century innovations.Inspired by an illicit passion of his own, Wagner filled this tale of a doomed romance with a sense of desperate longing, conveyed by his blending of tonality, blurring of keys, and innovative use of repetitive leitmotifs. This reprint of Richard Kleinmichel´s authoritative Breitkopf & Härtel edition is ideal for rehearsals and performances by students, amateurs, and professional vocalists, pianists, and conductors. Please note that the lyrics appear in the original German only.Reprint of the Breitkopf & Härtel, Leipzig, n.d. edition.

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Schott Kummer F.a. - 92 Progressive Exercises V...
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The studies by Friedrich August Kummer are perfect for music lessons, particularly because of their accompaniment of a second violoncello. They are characterized by a very systematic arrangement, cleverly introduce the circle of fifths and offer exercises at all levels of difficulty.The studies originally come from the appendix to Kummer´s Celloschule für den ersten Unterricht Op. 60. In this new edition, they are for the first time published completely in two volumes as 92 progressive studies. The present edition is based on the first edition published in 1839 (Verlag Friedrich Hofmeister, Leipzig) and has essentially adopted the original fingerings and bowing indications. For better readability, the number of fingerings has been slightly reduced.Volume 1 (ED 22371) is intended for beginner and intermediate lessons. Volume 2 (ED 22372) focusses on the musical performance of the advanced pupil.Friedrich August Kummer (1797–1879) was a pupil of Friedrich Dotzauer and Bernhard Romberg and later trained famous cellists like Julius Goltermann or Bernhard Cossmann.

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Schott Kummer F.a. - 92 Progressive Exercises V...
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The studies by Friedrich August Kummer are perfect for music lessons, particularly because of their accompaniment of a second violoncello. They are characterized by a very systematic arrangement, cleverly introduce the circle of fifths and offer exercises at all levels of difficulty.The studies originally come from the appendix to Kummer´s Celloschule für den ersten Unterricht Op. 60. In this new edition, they are for the first time published completely in two volumes as 92 progressive studies. The present edition is based on the first edition published in 1839 (Verlag Friedrich Hofmeister, Leipzig) and has essentially adopted the original fingerings and bowing indications. For better readability, the number of fingerings has been slightly reduced.Volume 1 (ED 22371) is intended for beginner and intermediate lessons. Volume 2 (ED 22372) focusses on the musical performance of the advanced pupil.Friedrich August Kummer (1797–1879) was a pupil of Friedrich Dotzauer and Bernhard Romberg and later trained famous cellists like Julius Goltermann or Bernhard Cossmann.

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Stand: Nov 23, 2018
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Dover Wolf Hugo - 45 Songs On Poems Of Goethe A...
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In his relatively brief life, German composer Hugo Wolf (1860–1903) created one of the great legacies in the art of song. Among his most deeply affecting works are his settings of poems by Johann Wolfgang von Goethe and Joseph von Eichendorff. This volume contains 45 of these songs, reprinted from authoritative German editions.Wolf referred to Eichendorff´s poems as landscapes composed in poetry. He wrote most of the Eichendorff songs in the years 1887–88. Richly varied in mood, they sensitively evoke a romantic, moonlit world one moment and humorously portray human foibles the next.The Goethe songs include exquisite short love lyrics as well as works that explore the darker side of human experience. Both the Goethe and Eichendorff songs reveal Wolf´s rare sensitivity to lyric content and his rich reserves of musical inspiration. On page after page, singers, musicians, and any lover of lieder will discover the distinctive magic this supreme lyric composer brought to the art of song.Reprint of songs published by C. F. Peters, Leipzig, n.d.

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Stand: Nov 23, 2018
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Barenreiter Bach J.s. - Organ Works Vol.4
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Bach, Johann SebastianOrgan Works, Volume 4Third Part of the Clavier ÜbungIn 1739 Bach’s Third Part of the Clavier Übung was published on 80 pages closely printed. Ever since then the collection has been regarded as a high point in the history of organ composition as it offers an impressive cross section of Bach’s artistry.This present volume is an updated edition of Volume 4, Series IV, of the New Bach Edition, presented by Manfred Tessmer in 1969. A fully revised edition proved unnecessary, as there were relatively few corrections affecting the musical text. However, the volume now includes a detailed Preface by Christoph Wolff which discusses not only the work’s genesis but also offers an up-to-date description of the sources. For the new engraving of the musical text page-turns were reviewed and improved.Bach’s autograph is considered lost and so the main source is the original print of the collection from 1739. In collaboration with the Leipzig Bach Archive and its database Bach digital this new edition includes links to two important copies of the original print which contain hand-written entries by Bach himself.Any complete scholarly-critical edition of the works of Johann Sebastian Bach must, in the interest of its use by researchers and performers, incorporate intervening new discoveries wherever possible. With this in mind, Bärenreiter has entered an agreement with the Leipzig Bach Archive to reissue particular volumes as applicable, either in updated performing editions based on the New Bach Edition or in thoroughly revised editions based on the New Bach Edition - revised. In this way, each new performing edition will represent the cutting edge of research.Further hallmarks of this new generation of Urtext editions will be detailed, up-to-date Prefaces and newly engraved musical texts with optimum page turns. Each volume will list incipits with links to the relevant manuscripts in Bach digital thereby enabling the user to gain quick access to the sources.-With altered readings integrated into the musical text taking into account new musicological evidence-With a new Preface (Ger/Eng) discussing this work and its sources by Christoph Wolff-With links to the relevant sources in Bach digital via http://links.baerenreiter.com-Newly engraved and with improved page turns-Format: 24cm x 30.5cmEdition no.: BA 5264ISMN: 9790006523047Volume / Series: Johann Sebastian Bach. Organ Works 4Editor: Tessmer, Manfred / Wolff, ChristophLanguage(s) of text: English, GermanProduct format: Performance score(s), Anthology, Urtext editionIncludes the following individual parts: OrganComments: Replaces BA 5174Binding: PaperbackPages / Format: XVIII, 99 S. - 24,0 x 30,7 cm

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Stand: Nov 23, 2018
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Schott Fibich Zdenek - Poeme Op. 39 - Viola And...
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from the Idyll At TwilightInstrument : viola and pianoSeries : Edition Schott - Single EditionNombre de Pages : 8The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and Antonín Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich´s musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection ´Moods, Impressions and Reminiscences´ Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a ´piano diary´. Its four volumes were frequently a source of material for other works, such as the symphonic poem ´In the Evening´ Op. 39 (also known as ´A Summer´s Evening´ and ´At Twilight´), written in 1893. For his second subject in this ´Idyll´ Fibich used the minature no. 139, entitled ´Lento´, from his collection of piano pieces. The violinst Jan Kubelík played the melody from 1908 onwards with the title ´Poème´, and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.

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Stand: Nov 23, 2018
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